M U S I C

Boy, Oh Boy, Do I Love Music!

17-year-old Johnny Playing Guitar

My love of music spans listening to it, sharing it, seeing it, writing it, recording it, and (to a much lesser extent) figuring out how to cover the expense of it.


I arrived at an analogy that I think works really well for how I engage with creating music. Maybe you can relate if you fancy yourself any kind of artist. It's a two-part analogy... or it's two analogies that are related. I don't know. Anyway, here they are.

  • Sandcastles

    You walk alone on the beach. The sun is setting and the tide is coming in. Oops, you left your phone at home. You suddenly feel compelled to make a sandcastle. You enjoy the process of creating it. You admire your work when it's done. The tide washes it away, and no one but you ever sees it. The purpose of making it is only the joy of making it.

    This is probably what we tell ourselves the ultimate goal of art is, but deep down you know that's only part of it...

  • Thanksgiving Dinner

    Grandma loves to cook. She doesn't love paying for groceries, doing the dishes, and spending all day sweating over a hot stove, but it's a package deal: It's all hard work, not all fun, but some of it she loves. At the end of a very long, expensive, exhausting Thanksgiving Day, she knows it was all worth it when she looks at the faces of the people she cares about enjoying what she made. She doesn't need anyone to tell her it was delicious, because she can see them refilling their plates for the third time.

    But if she were to ask, "Who is coming to Thanksgiving this year?" and everyone replied, "I'm not sure what I've got going on that day. I might come. We'll see." Well, that changes things, doesn't it? How much should she spend at the grocery store? How big of a meal does this need to be? Is she eating alone this Thanksgiving? Because if so, she might make a sandwich and spend the day watching TV. Or, let's say everyone shows up, but without any enthusiasm to eat, and then after dinner the guests give her a combination of constructive and unconstructive criticism. There is a lot to not love about cooking in this scenario.

    The main problem with this analogy is that the music industry is more like a restaurant creating a product and service to sell to customers. In that case, most of my grandma examples go out the window, and this is exactly why I do not love the music industry. But the music industry is unfortunately vital to an important part of the grandma analogy: Every year, the guests who love her food ask if they can invite their friends to join them the next year so their friends can also experience Grandma's cooking. And every year, more people ask if they can bring more people. And Grandma's home never gets too crowded, because the more people who enjoy it, the more she enjoys doing it. And so the goal is, in a way, to invite the whole world to dinner. And as the number in attendance grows, people stop expecting Grandma to pay for all the groceries. People pitch in one way or another.

    Because art is meant to be consumed, connected with, enjoyed, etc., it is easy to look at it as a product through the lens of capitalism. But while some art is a product, and some products are artistic, not all art needs to be a product, and not all products need to be artistic. But in order for art to be consumed, connected with, and enjoyed, it must be shared. It needs to reach people, and in an ever-oversaturated world of content, how can it be done? And so, doing marketing, getting press, getting distribution, and everything you think of when you expect an artist to "act professional" is participation in the music industry, but under duress.

Music Tools

  • Harmony Workbench [beta]

    This is an HTML music theory "calculator" webpage that has multiple features.

    It lets the user figure out what chord best describes a cluster of notes.

    It gives chord suggestions based on a user's desired key/scale.

    It let's the user experiment with adding or altering the quality, extension, and modifiers of the chords.

    It let's the user add chords to a progression list, see a suggested voicing based on context, reorder and manually revoice, and finally export a MIDI file of the progression.

    Behind the curtain of my HTML file is a javascript and CSS file doing all the heavy lifting. I have micromanaged A.I. to write these, but I do not know how to write javascript or CSS yet.

    Please email me with any errors you find! Thanks!


Music Recordings

Music & lyrics written, edited, preformed, recorded, edited, and published by myself or in part ...and with a lot of help from great friends.


JohnnyMarsz Home
Like this site? Link to me! Save the button above and link it to https://johnnymarsz.neocities.org